There is still much research to be done to establish the significance of their contributions to British art, which have been largely ignored or marginalized in conventional histories. 1680) Medium oil on canvas Measurements 76.5 × 63.7 cm Place/s of Execution London, England Accession Number 2017.452 Department International Painting Credit Line National Gallery of Victoria, Melbourne Purchased with funds donated by. Likewise, the ledgers of the Painter-Stainers' Company of London, the guild that regulated the trade, record the names of many other women who trained and worked as painters in the late seventeenth century. 1679) and Anne Killigrew (1660-1685) were also celebrated in their day. Mary Beale was not the only female professional artist in this period the names Joane Carlile (d. A related picture, for which this may be the study, casts Bartholomew in the guise of a young Bacchus. Beale frequently turned to her young children as subjects in studies such as this one and in her finished paintings. She probably made this portrait of her son Bartholomew (1656-1709) when he was about four years old, when Beale was living in Covent Garden, an area popular with artists, among whom was her friend and mentor Peter Lely. She was the daughter of a clergyman and many of her portraits are of. Artistback to top Mary Beale (1633-1699). English portrait painter, active in London, where she moved in intellectual circles. Sitter in 4 portraits, Artist or producer associated with 53 portraits. Mary Beale was the most successful woman artist working in Britain in the seventeenth century. Mary Beale (1633-1699), Portrait painter.
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